In all my works lies the conviction that the microscopic and the cosmic share a homologous architecture, and I turn to mathematics—my academic field and vital discipline—to decipher the ontological DNA of what we call the world or life. Mathematics, understood both as formal logic and as the most precise symbolic expression of enigmatic thought, allows me to demonstrate that existence does not rest on chance but on a warp of strictly coherent relationships.
Thus, the logical space of a cellular automaton, the segment of a recurrent series, and the curvature of the space-time continuum constitute different manifestations of a single structural fabric that I render visible so the viewer may experience it first sensorially and later reflectively. I attend carefully to the phenomenal dimension—light, sound, matter—because aesthetics is the gateway to epistemological inquiry.
In this artistic-mathematical laboratory I formulate questions that I extend to the public: Are we truly predictable systems, or is a minimal perturbation enough to reconfigure the entire model even when the rules are deterministic?
Does genuine randomness exist, or does so-called chaos end up generating configurations so rigorous that the notion of absolute disorder proves as illusory as that of total control? And how should we conceive a “logical space”?
In my practice it is the pre-coded matrix that makes every event possible—the board on which life and death, information and silence alternate as phases of the same game which, once revealed, invites us to reconsider the very nature of reality.
Digital Reflection on Space and Existence
Imagine a world where the rules are simple yet the possibilities are infinite—a digital universe that requires no intervention from us to grow, die, or transform. This digital artwork takes us to the heart of “The Game of Life,” a visual metaphor that challenges our relationship with space, time, and the connections we deem essential.
In this zero-player game, a single cell is “born” when it finds exactly three living neighbors. Yet the very life that emerges can be fleeting: suffocating overpopulation or devastating isolation can snuff it out in an instant.
This piece is not merely a mathematical simulation; it is a mirror of our own existences. It reminds us that human development—whether at the atomic, cellular, or social level—takes place within a fragile equilibrium. What role does the “logical space” of our lives play in this process?
In a hyperconnected world where information overload can suffocate us and digital isolation can leave us gasping, this work invites us to observe how we grow and evolve in patterns we do not always control.
Are we more than cells in a logical space? Is our destiny a series of predetermined moves, or can we find freedom in the randomness of life?
By dispensing with prime numbers—a key principle in random-number generation—a universe emerges that challenges traditional structures.
This digital ecosystem blends the organic with the numerical, expanding in a constant and unpredictable manner. Each transformation is unique, each pattern unrepeatable, reflecting a cosmos in perpetual motion that invites us to rethink the very nature of randomness and chaos.
It is a portrait of continuous change, where art and technology converge to show that even in the absence of predictable patterns, an inherent order always waits to be discovered.
The relationship between mathematics and human consciousness is no accident; it is a deeply intricate symbiosis that has shaped our perception of the universe and our construction of reality.
At the center of this connection lies the Fibonacci sequence, a mathematical model that transcends the abstract to reveal itself in the concrete—from biological structures to cosmic proportions.
The Fibonacci sequence, in which each element equals the sum of the two preceding ones, is not merely an arithmetic exercise; it is a representation of how nature organizes and grows.
This pattern appears in the branching of trees, the alignment of leaves along a stem, the geometry of flowers, the dynamics of hurricanes, the structure of galaxies, and even in the encoding of DNA, the very fabric of life.
Its omnipresence is no mere coincidence. The Fibonacci sequence is an underlying principle that articulates growth and form in biological and physical systems, from the microscopic to the galactic. In the human body, its influence extends to the proportions of our limbs, showing that our own existence is woven from the same mathematical threads that organize the cosmos.
As a species, we are a projection of these principles. Our consciousness—formed through the synthesis of past generations—can understand and project our future by studying these patterns. Much like the sequence, each human generation is the sum of its predecessors, a mathematical continuity that explains not only our origin but also our potential.
In this sense, studying mathematical patterns in nature is not solely a scientific pursuit but also a spiritual exploration. Recognizing that we share this architecture with everything around us redefines our perception of reality, demonstrating that consciousness itself is the universe attempting to understand itself through us.
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